Still life painting

 In Painting

History

Although art work of objects have been in existence since ancient Egypt and Greece, nonetheless life painting as a unique art form originated in post-Renaissance Western art. In historic Egypt, people painted objects and nutriment in tombs and temples as offerings to the gods and for the departed to enjoy in the afterlife.

These paintings were flat, photograph representations of their subjects, typical of Egyptian painting. The historical Greeks also integrated still life subjects into their vases, wall paintings, and mosaics. These paintings, featuring highlights and shadows, were more realistic than the Egyptians’, though not correct in phrases of perspective.

Still, life painting grew to be an artwork structure of its own in the 16th century. A panel portray by the Venetian artist Jacopo de’ Barbari (1440-1516)—now on display in the Alte Pinakothek, Munich—is regarded by many historians to be the first real still life. The painting, carried out in 1504, depicts a dead partridge and a pair of iron gloves, or gauntlets.

According to the BBC documentary “Apples, Pears and Paint: How to Make a Still Life Drawing (Painting),” Caravaggio’s “Basket of Fruit,” painted in 1597, is identified as the first main work of the Western still life genre.
The height of still life painting advanced in 17th century Holland.

Artists such as Jan Brueghel, Pieter Clausz, and others painted opulent, highly detailed, and realistic photos of flower bouquets and tables laden with lavish bowls of fruit and game. These artworks celebrated the seasons and mirrored the era’s scientific interest in the natural world. They also served as reputation symbols and had been relatively sought after. Many artists sold their works through auctions.

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Description

A still life is a portray featuring an arrangement of inanimate, daily objects, whether natural objects (flowers, food, wine, dead fish, and game, etc.) or manufactured objects (books, bottles, crockery, etc.). Some define the subject of a nonetheless lifestyles as “anything that does not move or is dead.”

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