Sand painting, also known as dry painting, is a kind of art that exists in quite developed forms among the Navajo and Pueblo Indians of the American Southwest and in less complicated forms amongst various Plains and California Indian tribes. Although sand portray is an artwork form, it is valued amongst the Indians notably for religious rather than aesthetic reasons. Its essential function is in connection with recovery ceremonies.
Sand paintings are stylized, symbolic images prepared by trickling small quantities of crushed, coloured sandstone, charcoal, pollen, or other dry materials in white, blue, yellow, black, and crimson colours on a history of clean, smoothed sand.
About 600 distinctive photos are known, consisting of a range of representations of deities, animals, lightning, rainbows, plants, and other symbols described in the chants that accompany various rites. In healing, the choice of the specific portray is left to the curer. Upon completion of the picture, the patient sits on the centre of the painting, and sand from the painting is applied to parts of his body. When the ritual is completed, the portray is destroyed.
For years the Indians would not enable permanent, precise copies of sand art work to be made. When the designs were copied in rugs, an error was once deliberately made so that the unique format would nonetheless be powerful. Today many of the art work have been copied both to keep the artwork and for the record.
Sandpainting is the art of pouring coloured sands, and powdered pigments from minerals or crystals, or pigments from other natural or artificial sources onto a surface to make a fixed, or unfixed sand painting.
Unfixed sand paintings have a long mounted cultural history in several social groupings around the globe, and are regularly temporary, ritual paintings prepared for religious or recovery ceremonies. It is additionally referred to as drypainting.